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Herr Christ, der einge Gottessohn, BWV 96
・ Herr Christ, der einig Gotts Sohn
・ Herr Fiend
・ Herr Gott, Beherrscher aller Dinge, BWV 120a
・ Herr Gott, dich loben alle wir, BWV 130
・ Herr Gott, dich loben wir
・ Herr Gott, dich loben wir, BWV 16
・ Herr Gurka
・ Herr Jesu Christ, du höchstes Gut, BWV 113
・ Herr Jesu Christ, wahr' Mensch und Gott, BWV 127
・ Herr Jimsons Äventyr
・ Herr Kleiser
・ Herr Korbes
・ Herr Lehmann
・ Herr Magnus og Bjærgtrolden


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Herr Christ, der einge Gottessohn, BWV 96 : ウィキペディア英語版
Herr Christ, der einge Gottessohn, BWV 96

| movements = 6
| text_poet = anonymous
| chorale =
| vocal = choir and solo
| instrumental =
}}
''ドイツ語:Herr Christ, der einge Gottessohn'' (Lord Christ, the only Son of God),〔 BWV 96, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 18th Sunday after Trinity and first performed it on 8 October 1724. Part of Bach's second annual cycle, of mostly chorale cantatas, it is based on the hymn in five stanzas "ドイツ語:Herr Christ, der einig Gotts Sohn" by Elisabeth Cruciger, published in ''ドイツ語:Eyn geystlich Gesangk Buchleyn'' in 1524.
The hymn, related to mysticism and comparing Jesus to the Morning star, matches two aspects of the prescribed gospel for the Sunday, the Great Commandment and a theological dispute about the term "Son of David". An unknown poet kept the first and last stanza for the first and last movement of the cantata, and paraphrased the inner stanzas as four movements, alternating recitative and aria. Bach set the first stanza as a chorale fantasia with the cantus firmus in the alto, adding sparkle by a "dancing" soprano and the illumination of a sopranino, which he used for the first time in his cantatas. In the four inner movements, all four vocal parts have their solo. A tenor aria is accompanied by an obbligato transverse flute, a part written for a virtuoso player. A bass aria is accompanied by a oboes on one side, strings on the other, acting as in a Venetian concerto. The cantata is closed with a simple four-part setting of the hymn tune. Bach performed the cantata again in later years, with minor changes to the scoring.
== History and text ==
Bach wrote the cantata in 1724 for the 18th Sunday after Trinity as part of his second annual cycle of mostly chorale cantatas. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, Paul's thanks for grace of God in Ephesus (), and from the Gospel of Matthew, the Great Commandment (), also mentioning that the byname "Son of David" was discussed in a "theological dispute" of Jesus and the pharisees.〔〔
The cantata text of an unknown author is based exclusively on the hymn "ドイツ語:Herr Christ, der einig Gotts Sohn" in five stanzas by Elisabeth Cruciger (1524).〔〔 The hymn is based on a Latin Christmas hymn, "Corde natus ex parentis", by Aurelius Prudentius. It is the first hymn by a Lutheran reformer which continues late medieval mysticism.〔 Martin Luther appreciated the hymn so much that he placed it at the beginning of an early hymnal,〔 ''ドイツ語:Eyn geystlich Gesangk Buchleyn''.〔 The chorale was originally associated with Epiphany, but also with the 18th Sunday after Trinity.〔
The hymn's first and last stanza in their original wording became movements 1 and 6, first and last of the cantata, as usual in Bach's chorale cantatas.〔 The unknown librettist paraphrased stanzas 2 and 3 to the cantata's respective movements, and stanza 4 to movements 4 and 5. The Gospel asks how Jesus, of David's descent as said in , can also be David's Lord, as claimed in . The hymn tries to answer this question, comparing Jesus to the Morning star, an image also used in the hymn "ドイツ語:Wie schön leuchtet der Morgenstern", the base for Bach's cantata ドイツ語:''Wie schön leuchtet der Morgenstern'', BWV 1.〔
Bach performed the cantata at least three times, first on 8 October 1724, a second time probably on 24 October 1734 when the sopranino was replaced by a violino piccolo,〔 and a third time probably on 1 October 1740. The Bach scholar Christoph Wolff suggested performances in 1744/47,〔 Klaus Hofmann in 1747, when the corno part was given to a trombone.〔

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